As an artist, and a man with bipolar disorder, I find that sometimes writing things down helps—especially when I look back and question "when did I create that?" Life becomes so tangled that I find it too easy to forget my heritage as a child of God.
Fun series of drawings based on shadows of my hands onto the paper. I brushed gel medium on the surface before using the colored pencil for a nice texture. They are small, but really fun.
American women entered the workforce in unprecedented numbers during World War II, as widespread male enlistment left gaping holes in the industrial labor force. Between 1940 and 1945, the female percentage of the U.S. workforce increased from 27 percent to nearly 37 percent, and by 1945 nearly one out of every four married women worked outside the home. “Rosie the Riveter,” star of a government campaign aimed at recruiting female workers for the munitions industry, became perhaps the most iconic image of working women during the war.
My Show called RUSTED will be opening. Stage EIghteen, the greatest venue in Fayetteville. Always something different, entertaining, and unique! Great Drinks, too!
Joel Armstrong has been working with wire as a medium for over 20 years. He has kept the work flat to keep it from being sculpture. His current work takes pride in classic art pieces, giving them his own flair.Read More
#maletorso, #wiredrawing, #wireart, #partialnudity, #yikes, #experiment, #shouldItryagain, #joelarmstrong, #wireartist
The Birth of Venus is an iconic image and a cliché; but it is also a work of utter mastery. Rather than attempt pure photorealism, Botticelli chooses an almost cartoon-like style of sharp outlines filled in by washes of colour. Today we would call the deliberately crude rendering of the trees, shoreline, and water some form of Rousseauian Primitivism. Botticelli clearly has the skill to work just a realistically as he desires; I conclude that his primitivism is deliberate. Botticelli understands that by simplifying away the level of the smallest and least essential details what is left has all the more visual power. Simplification or no, not only are the outlines gorgeous but the colour washes are divine. Look at how limid and luminous are the colours in Venus' skin. (Yet for all that Botticelli manages to get Venus' left nipple in the wrong place, which suggests along with the sloping shoulders that she was drawn from imagination, not life.)
The story line is simple: we have Modesty attempting to cover the new-born nakedness of Beauty, while the god Zephyr (perhaps with a reconciled Chloris in tow?) attempts to prevent this tragedy from coming to pass.
David entwined in vine...Revised, July 11, 2017. I kept thinking the there needed to be more ivy. And I was right.
Spent two weeks in Italy, and 4 weeks in Ireland. Had a blast. David was very impressive, as was the entire trip.
Renowned collage Artist Cory Peeke and I did several collaborations together, combining my assemblage skills with his beautiful collage work. One of those pieces was accepted into the 3rd Annual Collaborations and Mixed Media Exhibition, March 18, 2017 to April 22, 2017, at the The Gallery at Center for Creative Education in West Palm Beach, FL.
Joel Armstrong participated as an exhibitor and performed a 2-hour art demonstration at "The Art of the Bloom," starting on January 5th thru 8th in Wilmington, North Carolina. Cameron Art Museum and the New Hanover Garden Club held the event at the Blockade Runner Beach Resort, in Wrightsville Beach, NC.
Joel Armstrong's installation "Time to Address'er Drawers" takes 1st Place at the international juried show "When Language Meets Art" in Lubbock, Texas. Dec 2nd, 2016.
Several years ago, I had a local photographer friend, Luke Davis http://www.mainstreetstudios.net shoot some photos of some of my favorite pieces. Going through my iphoto images, I ran into these beautiful images that he took. I couldn't be prouder, nor happier at what Luke shot. I think it is time to get some new images photographed by him, again.
further along with book commission, still a long way to go. But book layout is complete, placing some illustrations.
20" pencil version to work off of, My next step is to use a marker and define all the lines as accurate as I can, and indication all connection marks. The client has requested to keep this drawing, so my next step will be to finish this, then trace onto tracing paper, and hope that the tracing paper is strong enough to work on. Might need a stronger vellum.